Piazza Santo Stefano, Bologna (56x76 cm)
After painting a smaller plein air version of this view on-site, I decided to bring the atmosphere and architecture of this historic square to life on a larger scale in the studio.
This scene captures the warmth of the sun hitting the ochre-toned buildings and the lively energy of people crossing the piazza. The interplay of light and shadow, especially on the left arcade and the church façades, made this location irresistible to paint. I aimed to preserve the mood of that day—the light, movement, and timeless character of Bologna.
Bjørvika, Oslo in light and shadow (38x56 cm)
It began as a small plein air sketch on location, where I captured the raw light and atmosphere of the moment. Later, I developed it into this larger studio piece—refining the structure, pushing contrasts, and letting the sunlight lead the story.
Painting the view toward Via dell’Indipendenza from Piazza del Nettuno, Bologna (76x56 cm)
I was drawn to the strong perspective lines, the warm facades, and the contrast of light and shadow along this iconic street.
Capturing the atmosphere with watercolor while the city moved around me was both a challenge and a joy.
Ready to Go (76x56 cm)
This watercolor captures the quiet presence of a boat resting on land, its striking red hull contrasting against the soft sky and textured greenery in the background. Loose, expressive brushwork and splattered textures bring life to the surrounding environment, while the delicate mast lines emphasize balance and structure. The play of light and shadow reflects both strength and stillness, offering a moment of calm observation in the transition between sea and shore.
Getting ready in Lysaker (56x38 cm)
This watercolor portrays a sailboat resting in the harbor, elevated on land, surrounded by a soft haze of muted tones. The white hull stands out with quiet elegance against the atmospheric backdrop, while fine mast lines add height and rhythm to the composition. Light and shadow interplay across the ground, grounding the scene with depth and balance. The painting evokes a sense of pause and anticipation — a vessel momentarily still, yet carrying the promise of future journeys at sea.
Stortorvet, Oslo (41x31 cm)
At the heart of Oslo, Stortorvet is a place where history, daily life, and modern movement meet. In this watercolor, I wanted to capture the energy of the square — the trams weaving through, people in constant motion, and the timeless architecture standing as a reminder of the city’s heritage. The contrast of light and shadow adds rhythm to the scene, while the layers of color reflect both the charm of the old and the pulse of the present. For me, it’s not just a streetscape — it’s a portrait of Oslo’s living soul.
Abandonded (56x38 cm)
Abandoned portrays a once-proud boat, now resting quietly in the grass, its red-orange hull weathered by time. Through watercolor, I wanted to capture both strength and fragility — the bold color of the vessel against the soft, natural tones of its surroundings. The scene speaks of journeys long past, of movement now stilled, and of beauty found in stillness and decay. It’s a reminder that even when left behind, stories remain etched into form and color.
Shipwreck I (36x26 cm)
Shipwreck dives into the quiet mystery of the underwater world. In this watercolor, the deep blues and flowing washes suggest both depth and stillness, while the sunken boat becomes a silent storyteller of the past. I wanted to capture not only the drama of a vessel lost beneath the waves, but also the calm beauty of nature reclaiming it. The play of light in the water transforms decay into poetry, turning a forgotten wreck into a scene of timeless wonder.